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MASOLINO da Panicale The Annunciation syy oil painting


The Annunciation syy
Painting ID::  8081
MASOLINO da Panicale
The Annunciation syy
1425-30 Tempera on panel, 148 x 115 cm National Gallery of Art, Washington

   
   
     

MASOLINO da Panicale Banquet of Herode (detail) sg oil painting


Banquet of Herode (detail) sg
Painting ID::  8082
MASOLINO da Panicale
Banquet of Herode (detail) sg
1435 Fresco Fonte Battisemale, Castiglione Olona

   
   
     

MASOLINO da Panicale Crucifixion hjy oil painting


Crucifixion hjy
Painting ID::  8083
MASOLINO da Panicale
Crucifixion hjy
1428-30 Fresco San Clemente, Rome

   
   
     

MASOLINO da Panicale The Evangelists and The Doctors of Church sg oil painting


The Evangelists and The Doctors of Church sg
Painting ID::  8084
MASOLINO da Panicale
The Evangelists and The Doctors of Church sg
1428-30 Fresco San Clemente, Rome

   
   
     

MASOLINO da Panicale Madonna with the Child  s oil painting


Madonna with the Child s
Painting ID::  8085
MASOLINO da Panicale
Madonna with the Child s
Wood, 95,5 x 57 cm Alte Pinakothek, Munich

   
   
     

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     MASOLINO da Panicale
     Italian Early Renaissance Painter, ca.1383-1447 Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);

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     | Lucas Horenbout | Jan Rosen | Joaquin Inza |


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